Crooner videos - by Video Site

"Crooner"

Length: 3:57
Rating Average: 5.00 from 10 people
View Count: 4320' favoriteCount='8
Author: arthurb

Tags: Aiken Clay Montage

Bing Crosby, Frank Sinatra, now...Clay Aiken.

Bruno Pelletier - crooner 2003

Length: 5:20
Rating Average: 4.89 from 27 people
View Count: 7103' favoriteCount='43
Author: annyaaliyah

Tags: Bruno Pelletier

Bruno Pelletier

Wee Whiny Crooner Man

Length: 1:20
Rating Average: 4.85 from 322 people
View Count: 30475' favoriteCount='250
Author: CBS

Tags: Blunt CBS Craig crooner Ferguson James man wee whiny

Craig is not a James Blunt lover.

David Radford: The Cutie Crooner

Length: 2:39
Rating Average: 4.20 from 15 people
View Count: 7771' favoriteCount='13
Author: Number1Cheer365

Tags: American David Idol Radford

This video is dedicated to the VERY cute and VERY talented David Radford! David, you truly are a star and we love you so much! Plus, we're all waiting for you to make an album (which I KNOW would go platinum!) :) x3

Crooner Vieira - Hino Selecção Euro 2008

Length: 5:12
Rating Average: 5.00 from 2 people
View Count: 1219' favoriteCount='5
Author: 32178

Tags: 2008 barreiro crooner euro futebol hino music portugal portuguesa selecção vieira world

Crooner Vieira interpreta o hino idealizado por si para homenagear e apoiar a selecção Portuguesa no Euro 2008. Espectáculos - 212072470; estudioking(at)gmail.com

Bruno Pelletier -- another crooner

Length: 1:48
Rating Average: 4.84 from 43 people
View Count: 8060' favoriteCount='51
Author: jannet852

Tags: Bruno Pelletier

Bruno imitated the British superstar "Tom Jones" on stage during the tour.

William Shatner & Brian Evans Live - Crooner at 20,000 Feet

Length: 5:31
Rating Average: from people
View Count: 6177' favoriteCount='4
Author: croonerman

Tags: 000 20 Brian Crane Denny Evans Shatner William

Brian Evans, after performing most of his show, surprises the crowd with a guest...the legendary William Shatner! A clever video editing job put Brian Evans on the wing of the plane...asking Shatner to come pop in as a special guest...and to everyone's surprise, when the video ended Brian proclaimed "Ladies & Gentlemen...William Shatner!" Did somebody say Denny Crane?

MARIAH CAREY "Serenaded" by crooner DICK HAYMES

Length: 10:20
Rating Average: from people
View Count: 411' favoriteCount='1
Author: northbreed1

Tags: All Anytime Band Belong Big Bird Box Bringing Carey Day Daydream Def Dick Emancipation Emotions End Fly Friend Garland Haymes Heartbreak In Judy Leppard Like Mariah Mimi Mind Music Need northbreed1 Of On One Over Pink Popular Pretty R&B Rainbow Sweet The Til Time Together Vanishing Vocals We Wind You Your

And she pays him back with interest. The song: "And Mimi" by Jimmy Kennedy and Nat Simon. Recorded July 25, 1947. The "serenader": Big-Band-Era crooner Dick Haymes (1916-1980). The "serenaded": contemporary artist Mariah Carey (1970- ). Her pet name: "Mimi." This video is actually a showcase for both singers. It also extensively reviews the Carey song and image catalogue, stressing her early masterworks without ignoring her more recent material. Haymes, with his rich baritone, clean-cut looks, and apparent charm, enjoyed his glory years as a singer and actor in the 1940s through the early 1950s. He sang successively with the big-band orchestras led by Harry James, Benny Goodman, and Tommy Dorsey. He contributed his voice talent to many radio broadcasts as well. Successfully recording as a solo artist for Decca and Capitol Records, respectively, Haymes also sang several delightful duets with "canaries" Helen Forrest, Patty Andrews and the Andrews Sisters, and Judy Garland. Under contract to Twentieth-Century Fox, Haymes made a half dozen or so films between 1944 and 1947, including--most enduringly—the Rodgers & Hammerstein musical "State Fair" (1945). With sincere admiration, I regard him as one of the finest balladeers in the history of American popular song. "And Mimi" is a personal favorite. It is a gem of wistful longing, and I take no little pleasure in linking it with... Mariah Carey ("Mimi"), an awards-winning, mega-selling singer currently second only to The Beatles for the most #1 singles (18) on the Billboard Hot 100. My own Carey perspective: her first three studio/other albums—MARIAH CAREY (1990), EMOTIONS (1991), and MTV UNPLUGGED (1992)—were and are masterpieces of performance and production glory. Not only were her choice of material and musical support superb, but the clarion quality, sultry grace, and soulful conviction of Carey's dolphin-gliding, torch-scorching vocals made me one of her most breathtaken admirers. The albums MUSIC BOX (1993) and DAYDREAM (1995) impressed me less with their generally trite material and generally weaker performance values. Then Carey lost me indefinitely in 1997 with the release of BUTTERFLY. On this album, the substance of Carey's vocals was vaporized by her over-reliance on breathy song delivery. And the clarity of Carey's vocals was lost by her frequently indistinct, run-on, and meandering interpretation of lyrical lines—a "flaw" she continues to indulge or ignore to this day. To quote from a ROLLING STONE critic of one of Carey's future albums, the results seemed more "like a stream of watercolors that bleed into a puddle of brown." The BUTTERFLY dagger blow, for me, was the hip-hop influence making its first significant appearance in a Carey album. For all its frequently infectious rhythms and often very clever rhyming, I find hip-hop distasteful for its predominantly life-negative tone and crass superficiality. The genre has a singular contempt for beauty. Its sneering practitioners are typically brazen and nasty, cultivating popular public images of defiance or insouciance and flaunting their sexuality in ways that make you question their self-esteems (let alone their "musical" tastes). With BUTTERFLY, Carey's classy pop and soul roots were definitely showing less. Her subsequent releases—up to and including this year's E=MC2-have ranged from puddled to drenched with hip-hop/dance-club dirty water. Unsurprisingly, Carey has adapted her image to suit the genre's expectations. "Gone with the wind called Mariah" is the sweet, unassumingly sexy, soulful torch singer of standard, emotionally-resonant pop and R&B magic. [And in terms of gospel-flavored delights: does any MC fan truly think the more recent, bleeding-heart confessionals "Fly Like a Bird" (2005) and "I Wish You Well" (2008) deserve to be rated in the same class with the rousing "Make It Happen" (1991), "Anytime You Need a Friend" (1993), or even "One Sweet Day" (1995)? If you think so: think twice.] Still, like the thematically moribund James Bond film franchise, Carey continues to sell. To what degree, do you suppose, is her continued success (in an "unfriendly" genre) owing—like Bond's at the box office—to the reputation of earlier and brighter triumphs? I'd say the degree is high. (An alternative explanation is that MC's more provocative sexiness cannot do otherwise than boost/sustain sales. Or else the music-buying public—generally speaking—is less picky and more piggy than I care to consider.) I have rediscovered Mariah's early work and I'm loving it. I'll always remember and hope for better things from this beautiful woman with proven pipes of greatness. Her voice, properly invested, can glorify life and love in so many rich ways. I honestly hope you enjoy this video. Friendly and/or reasonable questions or comments are most sincerely welcome. However: beefing about song or photo selections or my critical comments above will never see print.