Oughta videos - by Video Site

Alanis Morissette-You Oughta Know

Length: 4:39
Rating Average: 4.88 from 1577 people
View Count: 812487' favoriteCount='3976
Author: sinala

Tags: 1995 Alanis Live Morissette

Live at the Nulles Part Ailleurs, 1995

You Oughta Know Inbound Marketing

Length: 2:54
Rating Average: 4.31 from 135 people
View Count: 45250' favoriteCount='132
Author: HubSpot

Tags: "alanis "music "office "social "you blog funny hubspot inbound joke" know" marketing media" morissette" oughta parody spoof twitter video"

http://hubspot.com HubSpot's Rebecca Corliss sings her heart out about the horrible life of an outbound marketer. What's Inbound Marketing? http://blog.hubspot.com/blog/tabid/6307/bid/2989/Outbound-vs-Inbound-Marketing.aspx Credits: Rebecca Corliss (@repcor): Lyrics and Vocals David Fisher (@tibbon): Accompaniment and Music Recording Mike Volpe (@mvolpe): Mean Boss Dude Ellie Mirman (@ellieeille): Marketer Pamela Seiple (@pamelump): Marketer Rick Burnes(@rickburnes): Marketer Aaron White (@aaronwhite): Marketer James Vaughan (@J_Vaughan): Marketer Parody of Alanis Morissette's "Oughta Know" For full lyrics, visit: http://blog.hubspot.com/blog/tabid/6307/bid/4437/You-Oughta-Know-Inbound-Marketing.aspx

You oughta know

Length: 4:44
Rating Average: 4.87 from 484 people
View Count: 277755' favoriteCount='1421
Author: valentinasanto

Tags: alanis know live oughta you

a very great performance of "you oughta know" by alanis morissette. censured!

Oughta Be A Law Revisited

Length: 3:57
Rating Average: 4.83 from 6 people
View Count: 3265' favoriteCount='3
Author: ntrnaut

Tags: domestic economics gary homelessness love michael neil north paul politics racism richards ron violence young

Love comes from the heart and not from a piece of paper signed by some so called "authority". Yes it's the 70's again, revisiting the time of love vs use of force, and Neil Young once again is leading the cause for peace. I join him and many others by adding my 2 cents with this simple home made video. This song is also a protest song against violence on the home front including domestic violence, racial tension, homelessness,fraud, co-ercion, theft and generally the use of force to attain what one individual/ group wants or desires from another individual/ group. The free exchange of ideas and values is what this song is about,is what I hope our world can become. Searching for peace on planet earth. Ron Paul speaks about the very message that this music video portrays. See his video "Freedom is Popular" and listen to one of the most fantastic short speeches I have ever heard. "The individual is the smallest minority on Earth, without individual property rights there can be no rights for anyone" OUGHTA BE A LAW (Guy)-Chorus Oughta be a law, to make you love me Oughta be a law, you can't break Oughta be a law, to make you need me Oughta be a law, in the United States Verse 1- Guy Gonna take a bill to the Senate gonna take it up to the House get them to pass a love me law So there won't be any doubt. (Girl) There is no law, could make me love you There is no law, that you could make There is no law, could make me need you There is no law, in the United States. Verse 2-Girl If you were chief of the police you'd put me under arrest If you were a judge in a high court you'd sentence me to love you to death. (Guy) Oughta be a law, to make you love me Oughta be a law, you can't break Oughta be a law, to make you need me Oughta be a law, in the United States Chorus Guitar Ride- (Girl)-Verse 3 You try to force me to love you you lie cheat and steal love like that could ever last Love like that's not real Girl Chorus- There is no law, could make me love you There is no law, that you could make There is no law, could make me need you There is no law, in the United States. (Guy)(Girl Answer) Oughta be a law, to make you love me Oughta be a law, you can't break Oughta be a law, to make you need me Oughta be a law, in the United States (Girl)(Guy Answer) Coyright2006 Music and Lyrics by Dimaio/Ourso

Chronic Future - Things That YOu Oughta Know

Length: 3:15
Rating Average: 5.00 from 13 people
View Count: 5525' favoriteCount='56
Author: kaoshybryd

Tags: alternative Arizona Chronic Future Know Oughta Phoenix rock That Things Unreleased You

A song from the band's Myspace page. *Thanks to akaDern for helping out with the lyrics. Still, if there's something that you think should be different, let me know.* I think that you oughta know We're just actors playin' characters Ain't that somethin' think that you oughta know life's a show gotta think about that for sure Have you ever gotten stuck in makeup doin' a commercial for a product you don't like the taste of? now they got the (sellin face rub) and they laugh at the ad and how much space it takes up is this real life or a movie or real life? how do we decipher real left from real right? guess we're gonna have to keep it up alright yeah we got a deadline headin' into tomorrow night this town's a backdrop setting in a hollywood studio here we are the actors and audience our life is a show oh we played the role of things you out to know this town's a backdrop setting for the drama we call our lives woah (pay my cut no more no less __ on flim) I think that you ought to know We're just actors playin' characters Ain't that somethin' think that you ought to know life's a show gotta think about that for sure have you or anyone you know ever gone to an audition for a show and had to fuck to get the role? have you or anyone you know ever done coke in a stall right off of the toilet bowl? me and everyone i see seem to be entwined parts of a movie called melancholy sunshine we laugh and we cry with camera men on standby waiting for an after school moment in our eyes this town's a backdrop setting in a hollywood studio here we are the actors and audience our life is a show oh we played the role of things you ought to know this town's a backdrop setting for the drama we call our lives woah I'll play this part forever more until death knocks on your front door i hope you think about this every day and i will not wait for something more to find its way to my front door i'll help you think about this every day (The beginning of) a fun time until i lost my sunshine (I'm gonna get it again) (I'm gonna get it again tonight) Who's scripting my lines? Who's scripting my lies? I'm gonna get it again (x2) you watch I think that you ought to know We're just actors playin' characters Ain't that somethin' think that you ought to know life's a show gotta think about that for sure leftover is our formidable apathy leavin' us in unforgettable agony never wanted to go back to that strategy (so I'm losing) control of idle happenings this town's a backdrop setting in a hollywood studio here we are the actors and audience our life is a show oh we played the role of things you out to know this town's a backdrop setting for the drama we call our lives woah

Roots of Blues -- Sleepy John Estes „Everybody Oughta Make A

Length: 2:51
Rating Average: 4.60 from 5 people
View Count: 2009' favoriteCount='15
Author: Slowtubbi

Tags: Blues History_of_music Roots_of_Blues

Recorded: New York City, April 22, 1938 Sleepy John Estes (vcl) (g), Son Bonds or Charlie Pickett (g) John Adam Estes (25 January 1899 — 5 June 1977) commonly known as Sleepy John Estes or Sleepy John, was a U.S. blues guitarist songwriter and vocalist, born in Ripley, Tennessee In 1915, Estes's father, a sharecropper who also played some guitar, moved the family to Brownsville, Tennessee. Not long after, Estes lost the sight of his right eye when a friend threw a rock at him during a baseball game. At the age of 19, while working as a field hand, he began to perform professionally. The venues were mostly local parties and picnics, with the accompaniment of Hammie Nixon, a harmonica player, and James "Yank" Rachell, a guitarist and mandolin player. He would continue to work, on and off, with both musicians for more than fifty years. Estes made his debut as a recording artist in Memphis, Tennessee in 1929, at a session organized by Ralph Peer for Victor Records. His partnership with Nixon was first documented on songs like "Drop Down Mama" and "Someday Baby Blues" in 1935; later sides replaced the harmonica player with the guitarists Son Bonds or Charlie Pickett. He later recorded for the Decca and Bluebird labels, with his last pre-war recording session taking place in 1941. He made a brief return to recording at Sun Studio in Memphis in 1952, recording "Runnin' Around" and "Rats in My Kitchen," but otherwise was largely out of the public eye for two decades. Though only modestly skilled as a guitarist (he was frequently teamed with more capable musicians, like Rachell, Nixon, and the piano player Jab Jones), Estes was a fine singer, with a distinctive "crying" vocal style. He sounded so much like an old man, even on his early records, that blues revivalists reportedly delayed looking for him because they assumed he would have to be long dead, and because fellow musician Big Bill Broonzy had written that Estes had died. By the time he was tracked down, by Bob Koester and Samuel Charters in 1962, he had become completely blind and was living in poverty. He resumed touring and recording, reunited with Nixon and toured Europe several times and Japan, with a clutch of albums released on the Delmark Records label. Though his later records are generally considered less interesting than his pre-war output. Nevertheless, Estes, Nixon and Rachell also made a successful appearance at the 1964 Newport Folk Festival. Bob Dylan mentions Estes in the sleevenotes to Bringing It All Back Home (1965). Many of Estes's original songs were based on events in his own life or on people he knew from his home town, such as the local lawyer ("Lawyer Clark Blues"), local auto mechanic ("Vassie Williams' Blues"), or an amorously inclined teenage girl ("Little Laura Blues"). He also dispensed advice on agricultural matters ("Working Man Blues") and chronicled his own attempt to reach a recording studio for a session by hopping a freight train ("Special Agent (Railroad Police Blues)"). His lyrics combined keen observation with an ability to turn an effective phrase. Some accounts attribute his nickname of Sleepy to a blood pressure disorder and/or narcolepsy. Others, such as blues historian Bob Koester, claim he simply had a "tendency to withdraw from his surroundings into drowsiness whenever life was too cruel or too boring to warrant full attention." Estes suffered a stroke and died on June 5, 1977 and is buried at Durhamville Baptist Church in Durhamville, Tennessee. In 1991 Estes was posthumously inducted into the Blues Hall of Fame.