Siskel and Ebert Outtakes Rant 2 - McDonald's
- Length: 3:14
- Rating Average: 4.94 from 234 people
- View Count: 80900' favoriteCount='456
- Author: plinko23
Tags: ebert friends mcdonalds mean outtakes rude siskel snap
Watch as Siskel mercilessly mocks Ebert's weight! "He's the only guy to ever answer yes to every question he's asked at McDonald's"
Orson Welles Drunk Outtake
- Length: 1:6
- Rating Average: 4.79 from 501 people
- View Count: 321500' favoriteCount='1606
- Author: ledzepp461
Tags: blooper commerical drunk Masson Orson Paul Welles
In these infamous Paul Masson outtakes, Orson tries to deliver his lines while totally tanked.
Get Smart Blooper and Outtake Reel
- Length: 7:17
- Rating Average: 4.94 from 245 people
- View Count: 147908' favoriteCount='729
- Author: loomyaire
Tags: blunders control goofs kaos NBC spies
Don Adams as Maxwell Smart. Barbara Feldon as 99. Ed Platt as The Chief. Uncensored bloopers from the classic sitcom.
Countdown - Wankers Outtake
- Length: 0:49
- Rating Average: 4.87 from 387 people
- View Count: 316686' favoriteCount='1001
- Author: 15hl
Tags: 1991 brandreth carol channel4 countdown dictionary gino gyles lawrence outtake richard vorderman wankers whiteley word
The infamous Countdown outtake from 1991. In a letters round, contestants Gino Corr and Lawrence Pearse both declare the same 7 letter word!
Gazza Outtake
- Length: 3:27
- Rating Average: 4.71 from 68 people
- View Count: 110207' favoriteCount='156
- Author: normanm69
Tags: blooper outtake swearing
Paul Gascoigne trying to master the English language.
Tranceanimation - Ambient Set Outtake
- Length: 6:36
- Rating Average: 4.80 from 242 people
- View Count: 125714' favoriteCount='733
- Author: uvision
Tags: 3d ambient animation motiongraphic psychedelic video
this is an outtake of our 1 hour ambient video, showed at the lokal citizen tv-station Tide TV here in hamburg, germany
Bullyparade - Kastagnetten ( Outtake )
- Length: 1:14
- Rating Average: 4.96 from 708 people
- View Count: 237705' favoriteCount='1114
- Author: bluedanceguitar
Tags: bully bullyparade christian herbig kastagnetten kavanian michael rick tramitz
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Good News Week - Outtake Montage
- Length: 9:40
- Rating Average: 4.94 from 86 people
- View Count: 22931' favoriteCount='268
- Author: mattman1981
Tags: blooper Flacco GNW Good Julie Malick McCrossin McDermott McManus Mikey News Paul Robins Rove Week Wendy
A blooper reel montage of ABC and Channel 10 promos for Good News Week (GNW) starring Paul McDermott, Mikey Robins, Julie McCrossin and others
Sting recording for Chris Botti - with out-take
- Length: 3:13
- Rating Average: 4.97 from 58 people
- View Count: 25004' favoriteCount='228
- Author: AshMills1973
Tags: Ash Botti Chris Mills Music Sony Sting
I was commissioned to film Sting`s session for Chris Botti's album. It never got used on the DVD so thought Id edit it and send it out... apologies to Sony.
Orson Welles Frozen Peas Radio Outtake
- Length: 4:0
- Rating Average: 4.93 from 41 people
- View Count: 14545' favoriteCount='179
- Author: rrpower
Tags: ambersons at chimes citizen evil Frozen kane magnificent midnight of Orson Outtake Peas Radio the touch trial Welles
Part One: Frozen Peas Orson Welles: "We know a remote farm in Lincolnshire, where Mrs. Buckley lives. Every July, peas grow there." Do you really mean that? Director 1: Uh, yes, so in other words, I--I--I'd start half a second later. Welles: Don't you think you really want to say "July" over the snow? Isn't that the fun of it? D 1: It's--if--if you can (laughs) if you can make it almost when that shot disappears, it'll make more-- Welles: I think it's so nice that--that you see a snow-covered field and say "every July peas grow there". "We know a remote farm in Lincolnshire, where Mrs. Buckley lives. Every July, peas grow there." We aren't even in the fields, you see? (pause) We're talking about them growing and she's picked them. (clears throat) What? D 1: ...in July. Welles: I don't understand you, then. When must--what must be over for "July"? D 1: Uh, when we get out of that snowy field-- Welles: Well, I was out! We were onto a can of peas, a big dish of peas when I said "in July". D 1: Oh, I'm sorry, Orson. Welles: Yes, always. I'm always--past that! D 1: You are? Welles: Yes! Wh--that's about where I say "in July". Director 2: Can you emphasize a bit "in"? "In July." Welles: Why? That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say "in July" and I'll... go down on you. That's just idiotic, if you'll forgive me by saying so. D 2: (indistinct chatter) Welles: That's just stupid. "In July"? I'd love to know how you emphasize "in" in "in July"... Impossible! Meaningless! D 1: I think all they were thinking about was that they didn't want to-- Welles: He isn't thinking. D 1: Orson, can we just do one last time-- Welles: Yeah. D 1: ...and it was my fault. I should--I said "in July". If you could leave "every July"-- Welles: You didn't say it. He said it. D 1: ...I said "every July". Welles: Your friend. "Every July"? D 1: ...so after this shot... Welles: No, you don't really mean "every July"? D 1: ...it is, but it's... Welles: But that's--that's bad copy. It's in July. Of course it's every July! There's too much directing around here. Part Two: Fish Fingers Welles: Norway. Fish finger, nor, Findus, Norway. "We know a certain fjord in Norway, near where the cod gather in great shoals. There, Jan Stan--, Stangdilan," shit! D 1: A fraction more on the--on that shoals thing, 'cause you rolled it round very nicely. Welles: Yeah, roll it round and I have no more time. You don't know what I'm up against. Because it's full of--of--of things that are only correct because they're grammatical, but they're tough on the ear. You see, this is a very wearying one, it's unpleasant to read. Unrewarding. "Because Findus freeze the cod at sea and then add a crumb, crisp..." ooh, "crumb, crisp coating." D 1: (indistinct chatter) Welles: Ah, that's tough. "Crumb, crisp coating." D 2: (indistinct chatter) Welles: I think, no, because of the way it's written, you need to break it up because it's not--it's not as conversationally written. What? D 1: Take "crumb" out. D 2: (sounds like) That's the word. Welles: Take "crumb" out. Good. Part Three: Beef Burgers Welles: Here under protest is "beef burgers." "We know a little place in the American Far West, where Charlie Briggs chops up the finest prairie-fed beef and tastes..." This is a lot of shit, you know that? You want one more? D 2: I do, actually... Welles: More on "buck beef"? D 1: You--you missed the first "beef", actually completely. Welles: What do you mean, missed it? D 1: You--you're emphasizing "prairie-fed"-- Welles: But you can't emphasize "beef", that's like he's wanting me to emphasize "in" before "July". Come on, fellas, you're losing your heads! I wouldn't direct any living actor like this in Shakespeare! Will you do this, it's impossible! D 1: Orson, you did six last year, and by far and away the best, and I know the--the reason-- Welles: The right reading for this is the one I'm giving it! D 1: For the moment. Welles: I spent... twenty times more for you people than any other commercial I've ever made. You are such pests! Now, what is it you want? D 1: Now, I think-- Welles: In your depths of your ignorance, what is it you want? Whatever it is you want, I can't deliver it because I just don't see it. D 1: That was absolutely fine, it really was. Welles: Here, you-- (crumples script, stands up) This isn't worth it. No money is worth listening to... (leaves studio)
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