Un Chien Andalou - Argentinian Tango

  • Length: 3:55
  • Rating Average: 4.14 from 28 people
  • View Count: 30690' favoriteCount='37
  • Author: DistantMirrors

Tags: andalou  andalusian  argentinian  bunuel  chien  dali  dog  luis  salvador  tango  Un 

Un Chien Andalou (English: An Andalusian Dog) is a 16-minute surrealist film made in France in 1928 by Spanish writer/directors Luis Buñuel and Salvador Dalí, and released in 1929 in Paris. It is one of the best-known surrealist films of the French avant-garde film movement of the 1920s. It is also considered one of the most prominent films in Spanish Surrealism. It stars Simone Mareuil and Pierre Batcheff as the unnamed protagonists. The film has no plot, in the conventional sense of the word. There are two central characters, an unnamed man and woman. The chronology of the film is disjointed: for example, it jumps from "once upon a time" to "eight years later" without the events changing. It uses dream logic that can be described in terms of Freudian free association, presenting a series of tenuously related scenes that attempt to shock the viewer. The film opens with a scene in which a woman's eye is slit by a razor. The man with the razor is played by Buñuel himself. In subsequent scenes, a man's hand has a hole in the palm from which ants emerge; an androgynous blind woman pokes at a severed hand in the street with her cane before being knocked down by a car; the man fondles a woman, who resists him violently, and then he drags two grand pianos containing dead and rotting donkeys, the tablets of the Ten Commandments, and two live priests (Dalí plays one of the priests in this scene); the man's father (played by the same actor as the man himself) arrives to punish him, but the man eventually shoots him with two books that abruptly turn to pistols; and the woman's armpit hair attaches itself to the man's face. At the end of the film, the woman walks out of the apartment building, and meets another man on the beach (also played by Dalí). They seem to be happy, but the final shot shows two figures (apparently Mareuil and Dalí) buried in sand, dead, and "consumed by swarms of flies" according to Buñuel's original script. However, this latter special effect was left out due to budget limitations. Modern prints of the film feature a soundtrack: excerpts from Richard Wagner's Liebestod, the concert version of the finale to his opera Tristan und Isolde, and two Argentinian tangos. These are the same music that Buñuel played on a phonograph during the original 1929 screening; he first added them to a sound print of the film in 1960. In spite of varying interpretations, Buñuel made clear throughout his writings that, between Dalí and himself, the only rule for the writing of the script was that "no idea or image that might lend itself to a rational explanation of any kind would be accepted."Moreover, he stated that, "Nothing, in the film, symbolizes anything. The only method of investigation of the symbols would be, perhaps, psychoanalysis." Film scholar Ken Dancyger has argued that Un chien andalou might be the genesis of the filmmaking style present in the modern music video.Roger Ebert has called it one of the first low budget independent films.

Un Chien Andalou (Part 1 of 2)

  • Length: 7:51
  • Rating Average: 4.95 from 20 people
  • View Count: 8593' favoriteCount='125
  • Author: MisterTubenose

Tags: Buñuel  Dalí  Luis  Salvador 

An Andalusian Dog..

安達魯之犬Un Chien Andalou (1928) Luis Bunuel_1

  • Length: 7:0
  • Rating Average: 4.19 from 21 people
  • View Count: 11789' favoriteCount='68
  • Author: 0101daw

Tags: (1928)  Andalou  Bunuel_1  Chien  Luis  安達魯之犬Un 

安達魯之犬Un Chien Andalou (1928) Luis Bunuel_1

Chant Sephardic Andalou - Maroc -

  • Length: 6:42
  • Rating Average: 4.92 from 50 people
  • View Count: 21671' favoriteCount='117
  • Author: birceng

Tags: andalou  atlan  françoise  maroc  marruecos  sephardic  تراث  سفردين  مغرب 

Françoise Atlan chante la cancion Cantiga morena à chada al-alhan (2m Tv)

A Debaser Andalou

  • Length: 3:10
  • Rating Average: 5.00 from 1 people
  • View Count: 328
  • Author: barthesian

Tags: Amps  André  ants  bicycle  Black  Breeders  Breton  Buñuel  cinema  cloud  cut  dada  Dalí  Deal  donkey  dream  experimental  eye  Francis  Frank  gore  hand  horror  Joey  Kim  Luis  moon  pain  piano  Pixies  priests  pus  putrefy  Salvador  Santiago  slice  surrealism  terror  violence  violent 

The Pixies song "Debaser" paired with the 1929 movie to which it refers, Un Chien Andalou by Luis Buñuel and Salvador Dalí.

Laurel and Hardy's Un Chien Andalou

  • Length: 2:59
  • Rating Average: 3.72 from 25 people
  • View Count: 14248' favoriteCount='32
  • Author: DavidQuantick

Tags: and  Bunuel  comedy  Dali  Hardy  Laurel  surreal 

Bunuel and Dali meet Laurel and Hardy

EMILE ZRIHAN et l'orchestre andalou d'Israel

  • Length: 10:47
  • Rating Average: 5.00 from 13 people
  • View Count: 9667' favoriteCount='53
  • Author: lutherking1

Tags: andalou  arabe  chaabi  cohen  gusto  israel  judeo  juif  malouf  maroc  zrihan 

EMILE ZRIHAN et l'orchestre andalou d'Israel, merveilleusement introduit par Tom Cohen

Un Chien Andalou (Part 2 of 2)

  • Length: 7:51
  • Rating Average: 4.63 from 16 people
  • View Count: 3783' favoriteCount='60
  • Author: MisterTubenose

Tags: Buñuel  Dalí  Luis  Salvador 

....

Ali Alaoui & Moultaqa Salam : soufisme andalou (1st part)

  • Length: 7:16
  • Rating Average: 4.47 from 32 people
  • View Count: 15008' favoriteCount='65
  • Author: moultaqasalam

Tags: Alaoui  Ali  andalou  hijaz  kebir  Moultaqa  nahawand  rythme  Salam  soufisme  touati  traditionnel 

L'ensemble Moultaqa Salam (France/Maroc) dirigé par Ali Alaoui interprète 'Hissa Soufia', morceau du répertoire soufi marocain composé à partir de modes andalous (Nahawand & Hijaz al kebir) et de rythmes traditionnels (touati). La munchida se nomme Ingrid Panquin (France).

Ali Alaoui & Moultaqa Salam : soufisme andalou (2nd part)

  • Length: 4:39
  • Rating Average: 4.45 from 22 people
  • View Count: 16488' favoriteCount='55
  • Author: moultaqasalam

Tags: Alaoui  Ali  andalou  Moultaqa  percussions  polyrythmie  Salam  soufisme  traditionnel 

L'ensemble Moultaqa Salam et sa munchida Ingrid Panquin dirigé par Ali Alaoui interprète Hissa Soufia, morceau traditionnel marocain du répertoire soufi sur des modes andalous et avec des rythmes traditionnels

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