Imad Xesan Melek

  • Length: 5:0
  • Rating Average: 4.50 from 44 people
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  • Author: xerocan

Tags: apo  ciwan  dawet  diyar  emer  gabari  govend  hozan  imad  kurd  kurden  kurdi  kurdish  kurdistan  melek  muzik  sivan  xerocan  xesan 

Imad,Xesan and Melek By www.xerocan.net

Imad Selim Raks

  • Length: 7:58
  • Rating Average: 4.76 from 225 people
  • View Count: 340283' favoriteCount='180
  • Author: saidgabari

Tags: kurdisch  raks 

gute lider

XESAN U IMAD SELIM REKS SHINGALKI

  • Length: 6:42
  • Rating Average: 4.86 from 73 people
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  • Author: shingalima

Tags: HOLA  IMAD  RAKS  REKS  SELIM  SHINGAL  SHINGALI  SINGALKI  XASAN  XESAN  YEZIDI 

XESAN U IMAD.....HOLA HOLA HOLA!!!!!

Imad Selim dawat govend

  • Length: 10:0
  • Rating Average: 4.86 from 138 people
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  • Author: KureKurd

Tags: dawat  govend  Imad  kurdi  kurdishmusik  kurdistanmusik  kurdsihmusic  Selim 

Imad Selim dawat govend kurdistanmusik.de.tl

IMAD - Berkat Ramadhan *MTV *Lagu_Raya

  • Length: 6:54
  • Rating Average: 5.00 from 2 people
  • View Count: 779' favoriteCount='1
  • Author: Nusantaraku

Tags: Aidil_Fitri  Aidilfitri  Berkat_Ramadan  Berkat_Ramadhan  Berkat_Ramdhan  Gendang  Group  Hari_Raya  Hariraya  IMAD  Islam  Lagu_Dakwah  Lagu_Raya  Lagu_Religi  Lagu_Rohani  Lebaran  Male  Moeslems  Msia  Muslims  Nashid  Nasyed  Nasyid  NH  Pop  Pop_Muslims  Rabbana  Religious_Song  Rock  World_Islams  World_Music 

Malaysia Composer/Lyric - Imad / AG Album: ESOK HARI RAYA Artists: SENARIO RUHIL BROTHERS NORAZIMAH HAIZI CECUPAK IMAD NORMALA_SHAMSUDIN ARTIS_ALBUM_SINARAN ARTIS_ALBUM_BERKAT

Imad selim reks dawet yezidi

  • Length: 7:15
  • Rating Average: 4.74 from 206 people
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  • Author: shingalima

Tags: dawet  govend  hola  imad  raks  reks  selim  shingal  yezidi 

imad selim dawet govend

STAR ACADEMY 4 KAMMAH IMAD DANCE

  • Length: 4:47
  • Rating Average: 4.79 from 48 people
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  • Author: shadwdQ

Tags: academy  dance  imad  kammeh  star 

Mohamed kamma7 , imad , ali ,dany and sally sing and dance

Kurden Hochzeit Deutschland Imad Selim Koma Melek Dawet Mus

  • Length: 9:58
  • Rating Average: 4.81 from 32 people
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  • Author: KurdishWedding

Tags: batman  dawet  govend  hochzeit  imad  kamaca  kemence  koma  kurden  kurdisch  mardin  melek  merdin  ribab  selim  sirnak  tanz  tore 

kurdische hochzeit

Sayyed Hassan Nasrallah Imad Mugniyeh Funeral ENGLISH SUB

  • Length: 6:3
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  • Author: wa3ad7

Tags: 2008  ashura  Aviv  FBI  Feburary  Funeral  Haifa  Hajj  hezbollah  Hizballah  Hizbollah  hz  IDF  Imad  imam  Israel  Jumblatt  Kantar  Kuntar  Lebanon  Mogniyah  Mugniyah  Mugniyeh  Nasralah  Nasrallah  Open  Tel  War  الامام  السيد  الشهيد  الله  المقاومة  حزب  حسن  رضوان  عماد  لبنان  مغنية  مغنيه  نصرالله  نصرالله‎ 

Highlights of Sayyed Hassan's speech during Imad Mugniyah's funeral on February 14, 2008. English subtitles. If you like the video, don't forget to rate it.

Israel targets Journalists: The Story of Imad Ghanem

  • Length: 2:28
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  • Author: mingoi313

Tags: activist  alan  amputate  aqsa  corrie  ghanem  hurndall  idf  imad  israel  johnston  journalist  leg  palestine  rachel  tank  tom 

One of the leaders of demonstrations in Gaza calling for the release of the BBC reporter Alan Johnston was a Palestinian news cameraman, Imad Ghanem. On 5 July, he was shot by Israeli soldiers as he filmed them invading Gaza. A Reuters video shows bullets hitting his body as he lay on the ground. An ambulance trying to reach him was also attacked. The Israelis described him as a "legitimate target." The International Federation of Journalists called the shooting "a vicious and brutal example of deliberate targeting of a journalist." At the age of 21, he has had both legs amputated. Dr. David Halpin, a British trauma surgeon who works with Palestinian children, emailed the BBC's Middle East editor, Jeremy Bowen. "The BBC should report the alleged details about the shooting," he wrote. "It should honor Alan [Johnston] as a journalist by reporting the facts, uncomfortable as they might be to Israel." He received no reply. The atrocity was reported in two sentences on the BBC online. Along with 11 Palestinian civilians killed by the Israelis on the same day, Alan Johnston's now legless champion slipped into what George Orwell in Nineteen Eighty-Four called the memory hole. (It was Winston Smith's job at the Ministry of Truth to make disappear all facts embarrassing to Big Brother.) While Alan Johnston was being held, I was asked by the BBC World Service if I would say a few words of support for him. I readily agreed, and suggested I also mention the thousands of Palestinians abducted and held hostage. The answer was a polite no; and all the other hostages remained in the memory hole. Or, as Harold Pinter wrote of such unmentionables: "It never happened. Nothing ever happened... It didn't matter. It was of no interest." The media wailing over the BBC's royal photo-shoot fiasco and assorted misdemeanors provide the perfect straw man. They complement a self-serving BBC internal inquiry into news bias, which dutifully supplied the right-wing Daily Mail with hoary grist that the corporation is a left-wing plot. Such shenanigans would be funny were it not for the true story behind the facade of elite propaganda that presents humanity as useful or expendable, worthy or unworthy, and the Middle East as the Anglo-American crime that never happened, didn't matter, was of no interest. The other day, I turned on the BBC's Radio 4 and heard a cut-glass voice announce a program about Iraqi interpreters working for "the British coalition forces" and warning that "listeners might find certain descriptions of violence disturbing." Not a word referred to those of "us" directly and ultimately responsible for the violence. The program was called Face the Facts. Is satire that dead? Not yet. The Murdoch columnist David Aaronovitch, a warmonger, is to interview Blair in the BBC's "major retrospective" of the sociopath's rule. Orwell's Nineteen Eighty-four lexicon of opposites pervades almost everything we see, hear and read now. The invaders and destroyers are "the British coalition forces," surely as benign as that British institution, St. John Ambulance, who are "bringing democracy" to Iraq. BBC television describes Israel as having "two hostile Palestinian entities on its borders," neatly inverting the truth that Israel is actually inside Palestinian borders. A study by Glasgow University says that young British viewers of TV news believe Israelis illegally colonizing Palestinian land are Palestinians: the victims are the invaders. "The great crimes against most of humanity," wrote the American cultural critic James Petras, "are justified by a corrosive debasement of language and thought... [that] have fabricated a linguistic world of terror, of demons and saviors, of axes of good and evil, of euphemisms" designed to disguise a state terror that is "a gross perversion" of democracy, liberation, reform, justice. In his reinauguration speech, George Bush mentioned all these words, whose meaning, for him, is the dictionary opposite. It is 80 years since Edward Bernays, the father of public relations, predicted a pervasive "invisible government" of corporate spin, suppression and silence as the true ruling power in the United States. That is true today on both sides of the Atlantic. How else could America and Britain go on such a spree of death and mayhem on the basis of stupendous lies about nonexistent weapons of mass destruction, even a "mushroom cloud over New York"? When the BBC radio reporter Andrew Gilligan reported the truth, he was pilloried and sacked along with the BBC's director general, while Blair, the proven liar, was protected by the liberal wing of the media and given a standing ovation in parliament. The same is happening again over Iran, distracted, it is hoped, by spin that the new Foreign Secretary David Miliband is a "skeptic" about the crime in Iraq when, in fact, he has been an accomplice, and by unctuous Kennedy-quoting Foreign Office propaganda about Miliband's "new world order." "What do you think of Iran's complicity in attacks on British soldiers in Basra?" Miliband was asked by the Financial Times. Miliband: "Well, I think that any evidence of Iranian engagement there is to be deplored. I think that we need regional players to be supporting stability, not fomenting discord, never mind death..." FT: "Just to be clear, there is evidence?" Miliband: "Well no, I chose my words carefully..." The coming war on Iran, including the possibility of a nuclear attack, has already begun as a war by journalism. Count the number of times "nuclear weapons program" and "nuclear threat" are spoken and written, yet neither exists, says the International Atomic Energy Agency. On 21 June, the New York Times went further and advertised an "urgent" poll, headed: "Should we bomb Iran?" The questions beneath referred to Iran being "a greater threat than Saddam Hussein" and asked: "Who should undertake military action against Iran first... ?" The choice was "US. Israel. Neither country." So tick your favorite bombers. The last British war to be fought without censorship and "embedded" journalists was the Crimea a century and a half ago. The bloodbath of the First World War and the Cold War might never have happened without their unpaid (and paid) propagandists. Today's invisible government is no less served, especially by those who censor by omission. However, there are major differences. Official disinformation now is often aimed at a critical public intelligence, a growing awareness in spite of the media. This "threat" from a public often held in contempt has been met by the insidious transfer of much of journalism to public relations. Some years ago, PR Week estimated that the amount of "PR-generated material" in the media is "50 per cent in a broadsheet newspaper in every section apart from sport. In the local press and the mid-market and tabloid nationals, the figure would undoubtedly be higher. Music and fashion journalists and PRs work hand in hand in the editorial process... PRs provide fodder, but the clever high-powered ones do a lot of the journalists' thinking for them." This is known today as "perception management." The most powerful are not the Max Cliffords but huge corporations such as Hill & Knowlton, which "sold" the slaughter known as the first Gulf war, and the Sawyer Miller Group, which sold hated, pro-Washington regimes in Colombia and Bolivia and whose operatives included Mark Malloch Brown, the new Foreign Office minister, currently being spun as anti-Washington. Hundreds of millions of dollars go to corporations spinning the carnage in Iraq as a sectarian war and covering up the truth: that an atrocious invasion is pinned down by a successful resistance while the oil is looted. The other major difference today is the abdication of cultural forces that once provided dissent outside journalism. Their silence has been devastating. "For almost the first time in two centuries," wrote the literary and cultural critic Terry Eagleton, "there is no eminent British poet, playwright or novelist prepared to question the foundations of the western way of life." The lone, honorable exception is Harold Pinter. Eagleton listed writers and playwrights who once promised dissent and satire and instead became rich celebrities, ending the legacy of Shelley and Blake, Carlyle and Ruskin, Morris and Wilde, Wells and Shaw. He singled out Martin Amis, a writer given tombstones of column inches in which to air his pretensions, along with his attacks on Muslims. The following is from a recent article by Amis: Tony strolled over [to me] and said, "What have you been up to today?" "I've been feeling protective of my prime minister, since you ask." For some reason our acquaintanceship, at least on my part, is becoming mildly but deplorably flirtatious. What these elite, embedded voices share is their participation in an essentially class war, the long war of the rich against the poor. That they play their part in a broadcasting studio or in the clubbable pages of the review sections and that they think of themselves as liberals or conservatives is neither here nor there. They belong to the same crusade, waging the same battle for their enduring privilege. In The Serpent, Marc Karlin's dreamlike film about Rupert Murdoch, the narrator describes how easily Murdochism came to dominate the media and coerce the industry's liberal elite. There are clips from a keynote address that Murdoch gave at the Edinburgh Television Festival. The camera pans across the audience of TV executives, who listen in respectful silence as Murdoch flagellates them for suppressing the true voice of the people. They then applaud him. "This is the silence of the democrats," says the voice-over, "and the Dark Prince could bathe in their silence."

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